We are a commune of inquiring, skeptical, politically centrist, capitalist, anglophile, traditionalist New England Yankee humans, humanoids, and animals with many interests beyond and above politics. Each of us has had a high-school education (or GED), but all had ADD so didn't pay attention very well, especially the dogs. Each one of us does "try my best to be just like I am," and none of us enjoys working for others, including for Maggie, from whom we receive neither a nickel nor a dime. Freedom from nags, cranks, government, do-gooders, control-freaks and idiots is all that we ask for.
I once booed Jewel at a performance. It was the year she toured with Bob Dylan, and I saw them in New Haven. (She once said that she thought Bob was gay because he didn't hit on her during the tour. Disappointed by that, it seems.)
I booed because she had to bring some political snark into her chatter, assuming as such folks do that their audiences are all on the same page politically. Rude of me, but that sort of presumption bugs me. As usual, my friends were embarassed by my behavior. She was not really known, then.
Here's the whole song that was chopped up on Dr Merc's fun post:
This truly is. If there's a classic fantasy every popular singer entertains, it's putting on a disguise, walking into a night club or karaoke bar, strutting your stuff and wowing the crowd. There really couldn't be a better way to prove to yourself that you really do have that something special; that's it's not all just flashy PR and rabid fans who will drool over anyone.
Lay it on, Jewel.
I would only add that this must have been a fairly surreal experience for those in the audience with musically-adept ears. Myself, I've heard lots of Beatles imitators over the years, and while I might have described some of them as being "eerily close to the original", voice characteristics and singing styles are just so distinctive that it's impossible to nail every nuance.
As a quick example, between those two Shakira songs I posted the other day, she sang exactly one word in falsetto. One. Nuance that into your equation.
So to be sitting there in the audience listening to some dumpy brunette with a hook nose nail down every single nuance, one after another, must have been surreal, indeed.
So, you think it's pretty cool that your favorite singer has two different singing voices?
How about three?
In the same song?
Listen to how she starts off in what might be called her normal singing voice, then, as the volume increases, listen to how she starts using her 'throaty' voice here and there, weaving back and forth between the two. Then, during the quiet interlude, listen to the 'little girl' voice she uses, then back to normal, then back to full-bore throaty. It's really something.
And the magic.
You would had to have been there, watching "Divas Las Vegas", to understand how truly special this was. For the previous hour, the stage had been hogged by the usual screeching divas, all singing at the top of their lungs, filling every micro-second of air time with their self-adored, self-adulated voices.
And then this precious thing walks onto the stage.
I always thought Johnny had a bit of the redeemed sociopath in him, but it's just my intuition and it might just be his stage persona. Anyway, there is a darkness in all of us. God bless good ol' Johnny Cash.
The problem with CPR is remembering what to do when your adrenaline begins surging because it looks like somebody is trying to die. (Some of the other problems are those of cracking some ribs of some guy who doesn't need it, or of keeping "alive" somebody whose brain is already dying or dead. Knowing when to use CPR is as important as knowing how.)
Well, again something bad came out of someone posting a music video here. Last time it was polka tunes and Lady Gaga, this time it's even worse. And, fittingly, it falls upon my mighty shoulders to set things right.
As we all know, the 'Opposites Clause' in the Blogger's Rule Book is designed to help eclectic sites maintain their eclecticity. I post a video of a cute red fox prancing in the snow, Barrie responds with a searing exposé of ObamaCare. That's how the Opposites Clause works.
Well, someone around here has been posting a whole bunch of songs by some guy named "Bob Dlyan" or something and the Opposites Clause alarm is clanging loudly.
And while I don't know who this renegade poster is, a lot of stuff from this "Bob Dlyan" guy sounds pretty left-wing to me.
Come you masters of war, you that build all the guns You that build the death planes, you that build all the bombs You that hide behind walls, you that hide behind desks I just want you to know I can see through your masks.
Like Judas of old, you lie and deceive A world war can be won, you want me to believe But I see through your eyes, and I see through your brain Like I see through the water that runs down my drain.
I mean, gee.
And I hope that you die, and your death'll come soon I will follow your casket, in the pale afternoon And I'll watch while you're lowered, down to your deathbed And I'll stand o'er your grave 'til I'm sure that you're dead.
Gosh. This "Bob Dlyan" guy sure doesn't mince words.
So it occurs to me that the Opposites Clause really needs to be engaged on two different levels — confronting both the artist's unorthodox music style and his virulent left-wing message.
And here our guest artist satisfies both requirements with the highest marks, as not only is his style radically opposed to the wild, frenetic cacophony of sounds emanating from this "Bob Dlyan" guy, but his message is one of patriotism, sacrifice, and pride in America.
Just the kind of message you'd expect to find on Maggie's Farm.
Jim Bowie lay dyin', his blood and his powder were dry But his knife he drew ready, to take him a few in reply
Young Davy Crockett lay laughin' and dyin' The blood and the sweat in his eyes
For Texas and freedom, a man was more willin' to die.
Hey, up Santa Anna, they're killin' your soldiers below So the rest of Texas will know And remember the Alamo.
It brings a tear to my eye to think of the young and brave Davy Crockett, who had so much, give it all up in the name of liberty. Thank goodness there's still a musician out there who understand the pride in America that we all feel.
Capt. Tom thought we needed to post some Django Reinhardt. He emailed me a good one, but I think we'll start with the famous duo of Reindardt and Stephane Grappelli.
Keeps a pretty good beat. Drumming is not rocket science. We posted this version of Sweet Georgia Brown in the remote past, but it deserves another listen:
"Cold and lonesome" is the gritty low-down heart of the blues. (That is not Jimmy Reed in the photo. I don't know who that guy is, but the music is Reed.)
I hope y'all have enjoyed hearing Jimmy this week.
Probably Reed's best-known song, and it's about work, not love. Everybody can relate. Dylan's "Maggie's Farm" echoes this classic in another way, does it not?
As in many of his recordings, you can hear his wife "Mama" chiming in sometimes.
Guitarist and harmonica player Reed was really the first cross-over bluesman. Whether he was marketed as blues, rhythm and blues, or rock and roll, he was really a bluesman all the way. His music feels familiar even to those who have never heard him because so much of his style was borrowed by rockers in the 60s.
Maggie's Farm poster girl Marianne asked me to search out a cut from Harry Belafonte's 1958 album "Harry Belafonte sings the blues." The closest I could find was this, from 1959:
To which I'll add this other chestnut from Harry, with love to Marianne:
We'll forgive the artist for his voice and verve transcending his sometimes errant politics.
Dr. Merc likes Lady Gaga, and our pal and sometime poster Tom Francis likes Ladytron. Well, Jimmy Reed (1925-1976) is one of my favorites. We'll begin the week with Bright Lights, Big City:
Well, Something bad thing came out of Bird Dog posting two polka tunes the other day.
It means I have to post a song by Lady Gaga.
This is due to the 'Opposites Clause' in the Blogger's Rule Book. The Opposites Clause is intended to help eclectic sites maintain their eclecticity. I post an article on the latest in hard drive technology, Bird Dog responds with "Chipmunk of the Week". That's how the Opposites Clause works.
However, despite the hordes of rumors to the contrary, I am not completely devoid of mercy and compassion, and thus I've taken into consideration the delicate sensibilities of the Maggie's readership and polka enthusiasts everywhere and have placed the vile, loathsome pop song safely below the fold.
Please let the children know it's safe to come out.
A reader minded us that the Polka and the button box came to North America via eastern European immigrants, and became Tex-Mex in a happy if unlikely union with the Mexican sound. Always was fond of the Texas Tornados, with the late greats Doug Sahm and Freddy Fender, plus Flaco Jiminez, Augie Meyers, et al. A motley crew, and good fun.
The Valentine sweetheart of Maggie's Farm is our dearly loved commenter Marianne Matthews.
Marianne is a classically trained musician, among many other wonderful things, with a sane, quick, and fun-loving mind. I share Marianne's love of folk music, she broadening my appreciations beyond the labor and protest songs I was raised with to older and other countries' folk classics. Marianne has been deeply involved with many of the greats. Marianne sent me a disc of some of her recaptured recordings from the 1950's, which you have to hear to soar. We're working on a way to put at least one up at Maggie's Farm. Meanwhile, you'll have to be content with this 1972 photo of Marianne and all-together now wishing Marianne a Happy Valentine.
FRIENDSHIP
Oh, the comfort -- the inexpressible comfort of feeling safe with a person, Having neither to weigh thoughts, Nor measure words -- but pouring them All right out -- just as they are -- Chaff and grain together -- Certain that a faithful hand will Take and sift them -- Keep what is worth keeping -- And with the breath of kindness Blow the rest away.